Although Jean-Michel Cousteau used the music for his documentary of the same title about the environmental disaster, Outrage At Valdez
doesn't sound at all like the sound track of a disaster movie. The slightly over 3 minutes long composition for strings, winds and percussion is a
moving miniature, with suggestions of immeasurable depths (caused by drones on low brass and alpine horn), wrinkles of sunlight on the sea and
graciously moving underwater vegetation, perfectly finished with a layer of alarming piano chords.
In spite of its size, it reminds of oceanic dimensions and shows an engagement you couldn't put a label on: Outrage at Valdez, at least.
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