
Fortunately, with a new keyboard player and the discovery that Ben Thomas plays trumpet, there's much new material to enjoy! And the concert
begins delightfully oddball with the glorious
Canarsie.
The song immediately shows Dweezil is not just physically fitter (while he'd sorta looked like a middle-aged man in Effenaar, he had developed an
adonis body, taking years off him and making all the girls dribble), his playing seemed to be a lot sharper!
Canarsie offered his first
show-off.
It segued nicely into another old favourite (oh how I want Adrian Belew to sing it...):
City of Tiny Lights. Beautiful as ever, a special
song to me.
More setlist surprises came throughout the evening, starting with 200 Motels's
Daddy, Daddy, Daddy. Hint Dweezil: Many Dutchmen know
this, on account of the fact that Volkswagen used it in a commercial. But they only used the line "do you like my new car?" Thatline was
skipped for unknown reason in this performance, I'd preferred it if it had stayed in.
It was followed by some hilarious Scheila Gonzales and Ben Thomas dialogue during
What Kind Of Girl Do You Think We Are?
Followed by T'Mershi Duween, which was lovely...
Dweezil had another BB favourite, off TTR this time:
Easy Meat. Rocking hard as ever, and a cool DZ solo to boot.
It was followed by a smooth, jazzy moment:
Blessed Relief. While such alternation of styles is nice, the problem is it makes you remember
you've had a day of activity already. Both my sister and I felt exhausted.
"How about one we know?" some guy asks in the audience. "You should have done your homework!" Dweezil replies. It's followed
by another 200 Motels moment:
Mystery Roach.
It is indeed followed by something we know better: it was also sung in the 2006 sets:
Florentine Pogen. Dweezil's soloing grows stronger
throughout the evening, and this one was another rocker.
http://www.youtube.com/watch?v=nQhV_Gls2Ig
After that a fun version of
Advance Romance.
It was followed by another new song, off TTR:
The Blue Light. An early Sprechgesang, Blue Light is definitely my favourite of the scatted
songs. Well, that and Ship/Witch. And, as I did with most of the songs anyway, I sang along from start to finish.
When Ben Thomas mentioned the World Cup, he got a great applause from the audience.
I had a nice place on the front right, near the stairs, so I was a little higher than the people in front of me. And, although it's often in your
head, I had the feeling Dweezil looked at me a few times throughout the show.
And even though I still can't be sure, when he said: "It's an obscure song, but I noticed some of you were singing along with all the
words, which is special, especially you there..."and pointed at me. WHOA! WHoa! whoa!
After that, a fun cheery version of another TTR gem that is often overlooked:
Pick Me I'm Clean. Since my copy of Tinsel Town Rebellion
has considerate scratching damage from a tumble, I was glad I could hear this song again.
I'd only heard the next song at the VIP concert with Steve Vai soloing in 2006 in Amsterdam, and back then I hurt my neck while headbanging to
it.
Eat That Question started off with one of Chris's keyboards failing. The techie ran up, while Dweeze played four descending chords
as in "/FAIL", and later played a fun riff I failed to recognize, when the misbehaving was treated and that oh so familiar keyboard intro
started!
ETQ ROCKS HARD as ever. It had an amazing sax solo by Scheila Gonzales, who harvested a huge ovation, and the low guitar playing at the resuming of
the main riff really made my guts rumble. Ooh... wow...
More Sheik along the way, with
Wild Love and
Yo Mama. With latter cut off on the tape I made off Sheik, I was happy to hear that one
in full. Plus great soloing!
Some more Fillmore came up, with
The Little House I Used To Live In (great song and I love the theme, but I prefer the BWS one) and
Latex
Solar Beef with the Willie the Pimp theme incorporated, and some great Joe Travers soloing.
After that, another favourite:
Apostrophe. It had a fantastic Pete Griffin solo and generated a great response!
Then came another opportunity for Ben to play trumpet:
Big Swifty. Beautiful, beautiful. And my sister loved it, she's rather familiar
with the Grand Wazoo and Waka Jawaka albums.
Unfortunately, during it, Ben's trumpet seemed to break down. While Pete, Jamie, Joe and Chris and possibly Billy who I couldn't see at all,
were playing Swifty flawlessly, Dweez seemed more preoccupied with the trumpet Ben was tinkering with at the side, during the song.
The band played a cute, sizzly, danceable tune. Dweezil invited audience members to do a little dance participation onstage. When several young ladies
(Dweezil's grin said a lot) had gotten up there, Dweezil announced he was going to play a rhythmically more challenging song:
Keep It
Greasey.
Well...
http://www.youtube.com/watch?v=z43znpCqO70
After the ladies were ushered off the stage by the same Pete I was talking to earlier, the band played a little more Keep It Greasey, then left the
stage.
And came back for an encore.
Peaches en Regalia, fourth time I've heard it live but it's gorgeous as ever.
I'm the Slime with Dweezil sounding deliciously like a light non-smoking version of his father singing, and Billy Hulting coming finally
out of the little corner on stage so I could see him, to sing a section.
[Edited on 10-7-10 by BBP]